Boston is pretty dope or to use a local idiom - my boston accent is wicked awesome

Screw – I Love My Boston Accent

“Pahk the cah in Hah-vahd Yahd!” That’s a felony, ya dingus.

When my brother and I have a few drinks, we begin shouting quotes from The Departed at each other in outlandish Boston accents. Truly abhorrent “I’m nahwt a cawp!” impressions and riffs fly free. If we aren’t in the same room, or even in the same state, it isn’t weird to receive a text that reads “I’m nawht a cawp!” or as close as autocorrect will let us type. It’s this type of easy mockery that has made Boston a laugh-fest for anyone who has ever heard the accent.

New England, as a whole, has an idiosyncratic way of speaking, but Boston, I contend, has the most distinctive linguistic characteristics. The Boston accent was created by a confluence of Puritan settlers (east Anglican) eventual Irish immigrants, and later, Italian immigrants. Of course, many other nations added their own unique ingredients to the linguistic soup du jour in the area. Still, Boston continues to retain, amazingly, some of the British pronunciations that came over with the first wave of settlers.

The Boston accent can be summed up by three distinct traits: non-rhotic, vowels, and consonants. We drop the ‘r’s, blend our vowels into one indistinct sound, and swallow our consonants instead of pronouncing them. In true Yankee fashion, we do re-use the ‘r’s that we drop – or quasi-pronounce, such as the word ‘corn’ becoming ‘cawn.’ Those ‘r’s reappear at the end of words ending with a vowel that are then succeeded by a word beginning with a vowel. To demonstrate: “the tuner [tuna] is…” or “write in your agender [agenda] and…”.

the grasshopper that flies over Faneuil Hall has a Boston Accent too
The grasshopper that flies over Faneuil Hall has a Boston accent too

Neighborhoods within Boston – and the surrounding suburbs – stand out in the way they speak as well. To someone outside Boston, the accent will sound the same, regardless of the sepaker’s origin. The North Shore – Lynn, Peabody, Gloucester, etc – has an Italian influence, while the South Shore – Braintree, Quincy, Duxbury, Plymouth, etc – has a thick Irish influence and the stereotypical Boston accent. That same South Shore (pronounced ‘Sou-hShore,’ all one word) way of speaking is what Hollywood often uses as the Boston accent; masterful examples of this are The Departed and Julianne Moore in 30 Rock.

On top of the Bostonian mush-mouthed speech, we also keep a long list of townie slang – indecipherable to the listener who was raised outside of Massachusetts. Boston holds a number of double standards about the way names of locations are pronounced, such as Gloucester, Dorchester, and Worcester, all of which are spoken differently. It’s these bizarre, incoherent conventions that have shaped my perspective, and I would not change it one bit.

A long-standing tradition in observational comedy is riffing on local accents or pronunciations; it’s a shtick that works well. There are some phenomenal routines based on linguistic differences all across the globe. I was recently listening to a podcast in which the presenter went on a tirade about Australian city names. The short of it is that Aussies tend to hold double standards on the pronunciation of stressed consonants, and they drop their ‘r’s, akin to Boston.

The Australian city of Melbourne is not pronounced “mell-borne,” but rather “mell-bin,” or as near as one can write the pronunciation out without resorting to IPA symbols. The capital city of Australia, Canberra, is not pronounced “can-berr-rah,” it’s pronounced “ken-breh.” The podcast was amusing – cultural differences are always funny – but not hilarious. These pronunciations are sensible! I’m on your side, Australia – our accents may be ridiculous, but at least we stand out from the crowd.

Even though I embrace the Boston accent and quirks, I am well aware of its ridiculousness.

We pick up liquor at the packie (package store), and it’s cash only for a scratchie (scratch-off lottery ticket). To pick a fight, we end our statement with “Ya wanna go?” i.e., “You want to go outside and fight?” The number after thirty-nine is fah-ddy (forty). Calling someone kehd (kid) is a term of affection. Never take the Pike (Massachusetts Turnpike, or Masspike) to the Pru (The Prudential Center) – it’s a terrible exit. Literally zero people have ever used a blinkeh (blinker/turn signal) on Massave (Massachusetts Avenue) or Commave (Commonwealth Avenue). My friend said she loved the Tam (popular dive bar), So don’t I? (I do too!). A cop told a bunch of kids hanging on the corner to screw (Get out of here, leave).

A Boston perspective on language, and how malleable the English language can be, is awesome. I do my best to sound like a nondescript American when I speak, but sometimes the Boston shows up. If you people-watch on the Common, the way I speak won’t sound weird. I’ll see if I can’t get it fixed, but I’m not real worried. 

Until next time, with friendly thanks

how can I make this into $SHOP?! A soapbox thought

Soapboxing is Dumb, Let’s Reconsider

soap·box: ˈsōpˌbäks/ noun a box or crate used as a makeshift stand by a public speaker.

The action of getting up on one’s soapbox (to soapbox [v.]) is someone with a strong idea, needing to share it in the moment, finds something to stand on. Often the impromptu platform for soapboxing was that of its name sake – a crate used for shipping soap. Soapboxes were a key component of street oratory; sidewalk speakers who were holding meetings or making speeches needed to put themselves above the crowd to be seen and heard. This also created controversy: it pitted public order against the freedom of anyone to speak out loud. It also set up “rival” soapboxers – someone who would be there to offer opposing opinions. Skilled speakers had to be quick on their feet, loud, and armed with wit.

Social media affords us the opportunity to hop up on our soapbox without abandon; clamoring and unfiltered. For better or worse, we’ve enabled opinions to be shared with everyone around the globe. World leaders celebrities and Joe-off-the-street can hop online and broadcast their feelings with three taps of a finger and 140 (or 280) characters. It’s simultaneously an wonderful resource, and a horrifying insight into others’ lives. I can know exactly what skincare routine my favorite B-list sci-fi celebrity utilizes, and also know how my coworker feels about their customers.

I think that this could be made so much better. I propose the idea of soapboxing be taken literally. Boxing is just two people, generally wearing protective gloves, throwing punches for a predetermined time in a boxing ring. Soapboxing would be boxing, but involving the usage or application of soap and also public speaking. If someone has an opinion and would like to speak on it, they need to arm themselves with bars of soap, and start throwing punches while talking. Fists clenched tightly around the Irish Spring bar, and shouting their outlook on corn futures in relation to $SHOP shorting. If there is someone with an opposing idea, they also ought to take up soap and begin swinging.

I’m aware this idea needs some polishing, and I’m open to suggestions. Perhaps there’s the caveat that your feet must remain on a literal soapbox while punching? Maybe the actual soap boxes themselves should be used as the weapons. Or even the boxing ring could be soap-coated, and the contest is to stay upright while also communicating your ideas. Though that may be heading towards mud wrestling. We’ll muddle through the fine details on that later.

There is progress to be made in getting up on a soapbox, and we’re the ones who have to figure it out. Social media has been a step up, but we can’t take a soapbox at face value. We need to have soap and faith – cry havoc and let slip the soapbox of war.

With greatest esteem and respect I am, dear sir, your most obedient and most humble servant